She was the Princess Ajita. And the court poet of King Narayan had never seen her. On the day he recited a new poem to the king he would raise his voice just to that pitch which could be heard by unseen hearers in the screened balcony high above the hall.
He sent up his song towards the star-land out of his reach, where, circled with light, the planet who ruled his destiny shone unknown and out of ken.
He would espy some shadow moving behind the veil. A tinkling sound would come to his car from afar, and would set him dreaming of the ankles whose tiny golden bells sang at each step. Ah, the rosy red tender feet that walked the dust of the earth like God's mercy on the fallen!
The poet had placed them on the altar of his heart, where he wove his songs to the tune of those golden bells. Doubt never arose in his mind as to whose shadow it was that moved behind the screen, and whose anklets they were that sang to the time of his beating heart.
Manjari, the maid of the princess, passed by the poet's house on her way to the river, and she never missed a day to have a few words with him on the sly.
When she found the road deserted, and the shadow of dusk on the land, she would boldly enter his room, and sit at the corner of his carpet. There was a suspicion of an added care in the choice of the colour of her veil, in the setting of the flower in her hair.
People smiled and whispered at this, and they were not to blame. For Shekhar the poet never took the trouble to hide the fact that these meetings were a pure joy to him.
The meaning of her name was the spray of flowers.
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